- Fear and loathing in las vegas soundtrack movie#
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Thompson himself was vocal about his disdain for President Nixon, labeling him everything wrong with America. The TVs in the hotel room playing scenes of the Vietnam War and Nixon hammering on about the War on Drugs, all while Duke is blacked out on adrenochrome after his day at the district attorney’s convention on narcotics.
Fear and loathing in las vegas soundtrack full#
The film is full of references to the events surrounding Thomspon’s novel. Eventually, Duke writes his article and leaves the fear and loathing of Las Vegas, but not before professing his disdain for his perceived failures of the 1960s acid-fueled hippie movement. As Duke and Gonzo continue to imbibe, what once was the humorous exploits of friends becomes an uncomfortable picture of ravenous depravity. The ensuing journey highlights the exorbitant consumerism and stagnant rabbit holes existing in American society, especially in the context of a Las Vegas casino. The trunk of their ruby-red convertible Impala contained more than a medicine cabinet’s worth of psychedelic, narcotic and fictionally-exaggerated substances.
Gonzo - based on Thompson’s own Attorney, Oscar Zeta Acosta - rocket around Las Vegas consuming any substance they can get their hands on in the name of journalism. Raoul Duke serves as the vehicle for Thompson’s consciousness, narrating the film while audiences watch him and his partner in crime Dr. The film also depicts a narcotics conference that Thompson reported on a few weeks after the race. The original novel was based on a real journey that Thompson took to Las Vegas to report on the Mint 400 motorcycle race.
This is highlighted as Duke and Gonzo zoom past a sign warning of life imprisonment for the sale of marijuana. Plot Synopsisįear and Loathing in Las Vegas takes place in 1971, marking the draconian beginnings of the War on Drugs. Thompson and consequently, the counterculture movements of the 1960s. Let’s dive in further on the topic at hand - psychedelics in film, Fear and Loathing in Las Vegas edition.
By exploring and personifying Duke’s psychedelic experiences, audiences get a lens into the world of Hunter S. Though the book was well-received, some see the film as a tasteless show of human overconsumption without recognizing its artistic merits. Gonzo, Thompson’s 1971 tale inspired the 1998 film and left lasting impressions on the cultural psychedelic discussion. Starring Johnny Depp and Benicio Del Toro as the leading duo, Raoul Duke and Dr. Thompson and a cult classic film adaptation by Terry Gilliam. All of this plays better if you know the book or seen the movie, but it still has a certain warped charm that's pretty fun, regardless of your familiarity with the crown prince of gonzo journalism.Fear and Loathing in Las Vegas is both an iconic novel by the debaucherous Hunter S. Excerpts from the score and bits of dialogue are scattered throughout it all.
Fear and loathing in las vegas soundtrack movie#
There's also a clutch of Las Vegas lounge standards, such as Tom Jones' "She's a Lady," Perry Como's "Magic Moments" and Debbie Reynolds' "Tammy," that hammer home the fact that the movie is set in Vegas.
Fear and loathing in las vegas soundtrack plus#
Gilliam has stocked the film with familiar cuts from the late '60s and early '70s - "White Rabbit," "For Your Love," "Get Together," "Mama Told Me (Not to Come)," "One Toke Over the Line" - plus album cuts (albeit classics) from Bob Dylan ("Stuck Inside of Mobile with the Memphis Blues Again"), Buffalo Springfield ("Expecting to Fly") and Big Brother & the Holding Company ("Combination of the Two"). Promising cast, promising director, and a bunch of promising cameos (Christina Ricci, Tobey Maguire, Cameron Diaz, Lyle Lovett, etc.) - all the ingredients for a good movie, plus a good period-piece soundtrack, as well. Nevertheless, Terry Gilliam - possibly one of the only contemporary directors with enough visual panache to pull it off - brought it to life in 1998 with Johnny Depp as Raoul Duke and Benicio Del Toro as Duke's Samoan lawyer, Dr. Thompson's wild, dope-fueled, hallucinatory Fear and Loathing in Las Vegas was simply one of those books that couldn't be adapted for film. For years, it was speculated that Hunter S.
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